Sunday, August 24, 2008

Titian Sacred and Profane Love [detail] painting

Titian Sacred and Profane Love [detail] paintingTitian Bacchus and Ariadne paintingLorenzo Lotto St Catherine of Alexandria painting
Moreover, as the lift began to rise he farted loudly, perhaps by way of preliminary demonstration of his potency. I helped myself to another sip of liquor and grinned, pleased to have got such a rise out of him, but I was ready enough to quit that compartment when the door reopened.
The room we now stepped into (our stone-faced companions remaining for some reason in the elevator) was low-ceilinged, brilliantly lit, and quiet. The walls were smooth and gleaming white, undecorated but for one large photograph of a smiling, handsome young man not familiar to me. The floor was laid with heavy carpeting. A dozen or more men, clean-shaved and sootless, stood intent before great dialed and buttoned consoles, upon which flickered sundry-colored lights; their uniforms, I noted, were immaculate and truly uniform, unlike the motley of the guards downstairs. One wall was a grating of heavy steel mesh, through which I saw a second room quite like ours, the only noticeable difference being in the cut and color of the attendants' garb: rhododendron-green on our side, rust-red on theirs. Other than a muffled click of switches and the whirr of tape-spools from

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