Tuesday, September 23, 2008

Thomas Moran Ulysses and the Sirens painting

Thomas Moran Ulysses and the Sirens paintingThomas Moran Mountain of the Holy Cross paintingThomas Moran Monterey Coast painting
learned about him was reprehensible; she fought him in the full confidence of a just cause, but she had no serviceable weapon. In six years of social Lucy had never met anyone the least like Roger.
“And he took care she shouldn’t meet us,” said Basil. “What’s more, she thinks him a great writer.”
This was true. I did not believe Basil, but after I had seen her and Roger together I was forced to accept it. It was one of the most disconcerting features of the for all of us. It is hard to explain exactly why I found it so shocking. Roger was a very good novelist—every bit as good in his own way as I in mine; when one came to think of it, it was impossible to name anyone else, alive, who could do what he did; there was no good reason why his books should not be compared with those of prominent writers of the past, nor why we should not speculate about their ultimate fame. But to do so struck us all as the worst of taste. Whatever, secretly, we thought about our own work we professed, in public, to regard it as drudgery and our triumphs as successful impostures on the world at large.

1 comment:

PaintingHere.com said...

Thomas Moran Ulysses and the Sirens painting"