Titian Sacred and Profane Love

Titian Sacred and Profane LoveFrancisco de Goya The ParasolBartolome Esteban Murillo Madonna and Child
down and hold my hand. Do you see the eagle up there?"
Esk squinted into the dark, hot sky.
There were . . . two doll figures on the grass below as she pivoted on the wind ....
She could , and "How do I control it?"
"You don't. Not yet. Anyway, controlling a truly wild creature isn't easily learned. You have to - sort of suggest to it that it might feel inclined to do things. With a tame animal, of course, it's all different. But you can't make any creature do anything that is totally against its nature. Now try and find feel the whip and wire of the air through her feathers. Because the eagle was not hunting, but simply enjoying the feel of the sun on its wings, the land below was a mere unimportant shape. But the air, the air was a complex, changing three-dimensional thing, an interlocked pattern of spirals and curves that stretched away into the distance, a switchback of currents built around thermal pillars. She . . . . . . felt a gentle pressure restraining her. "The next thing to remember, " said Granny's voice, very close, "is not to upset the owner. If you let it know you're there it'll either fight you or panic, and you won't stand a chance either way. It'sof being an eagle, and you haven't." Esk said nothing. "You're not frightened, are you?" said Granny. "It can take you that way the first time, and -" "I'm not frightened," said Esk